“为什么喜欢雪？” “因为我想知道冷是什么感觉” 完成度确实高，导演的功底相当扎实，镜子镜头与前后置景（父女二人在餐馆的两场戏，一次佩佩被玻璃映照出来做前景，另一次父亲被玻璃映照出来做前景）与一些小长镜头（观夜景与绑手机）的技法运用与镜头语言完全超出了我的预料；同时导演是一个很会把控蒙太奇与节奏感的人，用三次突然停顿来推动关键节点的处理手法实在是妙极了，几次电子乐的出现与HK的夜景也是相当迷人，可是纵观全片来看，除了那场完全惊呆我的雨中夜奔戏，整体的情感输出与主题表达其实是克制的，自由、爱情和性都是以隐喻的方式呈现，很高级也很酷，真的很酷！ 做平衡很重要也很难，但我想导演做到了，我很佩服她.     看饿了是怎么肥四(:_」∠BGM太好了！我现在满肚子浓浓的战后疲劳饿兼负罪感，很羞愧，我居然没意识到这些年我体内纯真的中二之源已经渐渐被变态的人类魔化了，噢天，我要赶快入柜变身一刚！（停）怪物爆裂变形的设定特别特别对我胃口，世界观有点蒸汽朋克，打法又很钢炼和妖尾，但女主和某些信号又让我嗅到了好多死神的影子⋯⋯算睡前大纲漫吧，结局推进飞快，干脆利落，反派话还没说完就被突突死真好(˘̩̩̩ε˘̩ƪ)今晚做美梦全靠你了兄dei！The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..